Main Summary

Huzur, a Bengali landowner, grapples with the final days of the zamindar system, a feudal-like arrangement he benefits from. As one of the remaining Bengali landlords, Huzur reminisces about his previously opulent lifestyle, largely characterised by extravagant shows held in his prized music room. Despite depleting funds, Huzur strains to maintain a facade of his wealth, and futilely struggles to compete with the concerts put on by his younger neighbour.    

The Music Room, by acclaimed director Satyajit Ray, captures the snapshot of a fading era through the form of rhythmic performances. With the incorporation of distinct melodies and elaborate dance sequences as accompaniments to Huzur’s rise and fall, the film utilises music as a tool and portrays it as a bridge through time.